Rule Of Thirds
Nikon Z7, 20mm, f 11, 1/90sec, ISO 64
I recently held a workshop over a couple of days on the north east coast of England. One of the things that I was asked to demonstrate was the “rule of thirds”.
This well used compositional technique is one of the first things that many photographers learn. Often without realising it.
Most modern cameras and many smartphones have the option to overlay a grid pattern over the image as you compose your shot. This is the rule of thirds in action.
By placing key elements of your composition along the lines or where the lines intersect, you can help yourself to create a dynamic yet well balanced image. In the example shown here of the Herd Groyne lighthouse, the horizon sits directly on the bottom third line and the lighthouse itself sits on an intersection. The lighthouse is clearly the main subject of the image and for many novice photographers, the temptation is to place the star of the show right in the centre of the frame. Generally this would leave the final image feeing unbalanced.
Like all rules, they are there to be broken. It should really be called the “guide of thirds” as it should only be used to help and guide with composition. Often breaking the rule can create a different perspective that sets your image apart from others.
The most common exception to the rule is when photographing reflections. Many times the most visually appealing composition is to put the horizon dead centre to give perfect symmetry and of course, balance. In the example here, of the “Infinity Bridge” the rule is broken with the horizon but maintained by the position of the main arch as a key element.
This hybrid approach of both complying and breaking the rule is something I do often. The reality is, once you become more proficient in photography, you will find compositions that suit your style and taste. It will come naturally, eventually and you will soon find you no longer rely on the grid overlay.
Remember photography is subjective. As long as you are happy with your final composition, then to you at least, it is a perfect image.
Nikon Z7, 26mm, f 11, 30 sec, ISO 100
